Spoiler-free premise
A lonely woman in 1870s Bengal develops an intellectual connection with her husband’s visiting cousin.
Why it belongs
Satyajit Ray makes an interior life visible through windows, opera glasses, embroidery, writing, and Madhabi Mukherjee's minute shifts of attention.
Major award record
Metadata only · zero points in 40/40/20Totals include every recorded competitive win. Only Picture or top-film honors, Direction, Screenplay, and lead or supporting performances are named.