Original poster artwork · Great Cinema Master List
Spoiler-free premise
After moving into a former tenant's apartment, actors Emad and Rana face an assault that changes their marriage and sense of justice.
Read expanded premiseLonger, still spoiler-free+
Tehran actors Emad and Rana leave their damaged building for an apartment previously occupied by a woman with unknown visitors. After Rana is assaulted there, Emad begins identifying the intruder while both continue rehearsing Arthur Miller's Death of a Salesman.
Why it belongs
Farhadi builds an ethical crisis from an apartment mistake, deploying theater, shame, privacy, and Shahab Hosseini's tightening need for control.
Read expanded why it belongsThe fuller editorial case+
Cracked walls, keys, a pickup truck, stairwells, stage rehearsals, and partial neighbor accounts make evidence socially charged—Taraneh Alidoosti's Rana and Shahab Hosseini's Emad reveal incompatible needs for recovery and punishment.