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Michael and Dafna Feldmann are told that soldier son Jonathan has died during service, plunging their Tel Aviv home into grief and military procedure. The film then shifts to Jonathan's remote checkpoint, where boredom, mud, and arbitrary control shape daily duty.

Under Samuel Maoz, Lior Ashkenazi's physical collapse gives geometry emotional cost. A tilted floor, measured water, notification rituals, a camel, a shipping container, identity checks, and the foxtrot's returning pattern make chance feel institutional.