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At the Borgen farm, patriarch Morten's conventional faith clashes with son Mikkel's doubt, Anders's forbidden courtship, and Johannes's conviction that he is Jesus Christ. Mikkel's wife Inger becomes the household's emotional center during a dangerous pregnancy.

White walls, clocks, doors, coffee, fields, funeral ritual, and slow camera movement give theological dispute domestic weight—the restrained form allows the possibility of miracle to arrive without visual coercion.